don’t underestimate me. i’ll wear sweaters in the summer. i’ll eat like eighteen gallons of ice cream in the winter. fuck the temperature. i don’t give a fuck
I don’t want to look back in five years time and think, ‘We could have been magnificent, but I was afraid.’ In 5 years I want to tell of how fear tried to cheat me out of the best thing in life, and I didn’t let it."
"If you can see a future without me and that doesn’t break your heart then we’re not doing what I thought we were doing here."
That 70’s Show (via temperare-te)
"Each time we don’t say what we wanna say, we’re dying."
Yoko Ono (via purplebuddhaproject)
By copyrighting his property as an artwork, he has prevented oil companies from drilling on it.
Peter Von Tiesenhausen has developed artworks all over his property in northern Alberta. There’s a boat woven from sticks that is gradually being reclaimed by the land; there is a fence that he adds to each year of his life, and there are many “watching” trees, with eyes scored into their bark.
Oil interests pester him continually about drilling on his land. His repeated rebuffing of their advances lead them to move toward arbitration. They made it very clear that he only owned the top 6 inches of soil, and they had rights to anything underneath. He then, off the top of his head, threatened them that he would sue damages if they disturbed his 6 inches, for the entire property is an artwork. Any disturbance would compromise the work, and he would sue.
Immediately after that meeting, he called a lawyer (who is also an art collector) and asked if his intuitive threat would actually hold legally. The lawyer visited, saw the scope of the work on the property, and wrote a document protecting the artwork.
The oil companies have kept their distance ever since.
This is but one example of Peter’s ability to negotiate quickly on his feet, and to find solutions that defy expectations.
"I’m becoming more silent these days. I’m speaking less and less in public. But my eyes, god damn, my eyes see everything."